ANNE ELVEY AND PHILLIP HALL: If you’re thinking birds, trees and butterflies, take a seat.
Join Anne Elvey, our Black Cockatoo Editor Phillip Hall and Managing Editor Michele Seminara as they pick their way through defining ecopoetry (vs ‘nature poetry’), looking at the work of the praise poem and the lament, and wondering what it all means for the work poets do away from the page.
To get deeper into the discussion check out Harriet Tarlo’s editorial for the latest edition of Plumwood Mountain, Robin Cadwallader’s review of John Kinsella’s The Vision of Error: A Sextet of Activist Poems, and grab yourself a copy of Bonny Cassidy’s Final Theory (Giramondo, 2014).
Missed our earlier episodes? Listen here!
Podcast Producer: Alice Allan
Anne Elvey is managing editor of Plumwood Mountain: An Australian Journal of Ecopoetry and Ecopoetics. Her recent publications include: Kin (2014), shortlisted for the Kenneth Slessor Poetry Prize, and This flesh that you know (2015), international winner of the Overleaf Chapbook Manuscript Award. White on White is forthcoming from Cordite Books in 2018. Anne holds honorary appointments at University of Divinity and Monash University.
Phillip Hall is a poet, reviewer and essayist working as an editor with Verity La’s Emerging Indigenous Writers Project and as a poetry reader at Overland. From 2011 to 2015 he lived in the Gulf of Carpentaria where he ran sport and camp programs designed to re-engage and foster emotional resilience, cooperative group learning and safe decision-making. In 2014 he published Sweetened in Coals. In 2015 he published Diwurruwurru, a book of his collaborations with the Borroloola Poetry Club. He is currently working on a collection of place-based poetry called Fume. This project celebrates First Australians in the Northern Territory’s Gulf of Carpentaria. Phillip now lives in Melbourne’s Sunshine (western suburbs) where he is a very passionate member of the Western Bulldogs Football Club.