Submission Guidelines: How to Fall from a Penny Farthing
By James Walton
What’s my pitch? Well … um … yes. Steep. Like an Edwardian iron roof and as you slip down, the extruding nails rip at your jeans, twist you sideways send you over the gutter sprawling into the frothy hydrangeas below, where the dead wood pokey bits have another go.
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The latest poetry, fiction, essays, art and reviews from Verity La.
Wall-Mounted Television (Ace Boggess)
She needs it taken down; I don’t know how it got there. Who put it up? She can’t recall. It’s…
Masterclass in Darkness and De Non Profundis (Devika Brendon)
Choose Life or Death. Choose Love or Fear. I was struck by the almost concurrent deaths in January 2025, both…
What Once Was (David Adès)
As the years turn, I think more about departures and disappearances, that growing crowd of who and what has…
A Complete History of Everything (Oz Hardwick)
A new broom sweeps leaves into a tidy pile. It’s a playground for pups, then a home for hedgehogs, then…
Yaqona (Joe Dolce)
My ex-wife and I, and our first baby, had a memorable stay in Fiji on our way over to visit…
Checking the Pots (Kim Kenyon)
Reckon I can hear the mud crabs getting ready to crawl in our pots from here He laughs at his…
Featured Writing
Recent Works
The latest poetry, fiction, essays, art and reviews from Verity La.
Wall-Mounted Television (Ace Boggess)
She needs it taken down; I don’t know how it got there. Who put it up? She can’t recall. It’s…
Masterclass in Darkness and De Non Profundis (Devika Brendon)
Choose Life or Death. Choose Love or Fear. I was struck by the almost concurrent deaths in January 2025, both…
What Once Was (David Adès)
As the years turn, I think more about departures and disappearances, that growing crowd of who and what has…
The Immortals (Jenny Pollak)
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A Captain’s (Ian Gibbins)
Fantasy (Murtaza Ali)
Sea Country (Sophie Finlay)
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Fiction, poetry, essays, and criticism published in Verity La since 2010.
An archive of writing committed to freedom of expression and resistance to ideological conformity.
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The Mask’s Weight (Amanda Anastasi)Artist’s Statement ‘The Mask’s Weight’ is a poem written during the COVID-19 pandemic and during Melbourne 6th COVID lockdown. It explores the idea that wearing a mask is a lesser restriction ... Read More
The Chrome Pony (Scout Fisher)It’s easy to question your sexuality when you wake up for your morning piss and have to clean the glitter out of your foreskin. Or when sequined dresses give you ... Read More
UNpersoned Podcast
Tune in to the UNpersoned Podcast where managing editor Michele Seminara unpacks what's happening in the arts and literary scenes with guests from Australia and around the world.
Watch interviews and social commentary from the Vault.
The Vault
Fiction, poetry, essays, and criticism published in Verity La since 2010.
An archive of writing committed to freedom of expression and resistance to ideological conformity.
The Artistry of the Amputee Dancer (Lawrence Shapiro)Darting eyes flicker back and forth across a barren stage The gazelle prance in rapid motion One lower extremity present One lower extremity absent Shock waves at the barren amputee ... Read More- Anatomy of the Blurb (David Cohen)If you can’t judge a book by the cover, can you judge it by the blurb on the cover? Whether supplied by a fellow author or lifted from a review, ... Read More
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Verity La Journal is an independent international literary journal publishing fiction, poetry, visual arts, essays and cultural commentary.
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About Verity La Journal
Verity La Journal is an independent international literary journal publishing fiction, poetry, visual arts, essays and cultural commentary. Join our mailing list to get email updates.