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NEGOTIATING DEATH: an interview with Ivy Alvarez

  ALEC PATRIC We often negotiate with death when we write. There’s a last will and testament to everything we put down to paper. The literary act itself, hands a …

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Ivy Alvarez

You Were Lost Within My Sights (Lara S. Williams)

We flattened ourselves between the soupy heat shimmer and sharp yellow stalks running down the hill toward Cooma Presbyterian Church. Ants made ladders of our ankles, leaving bubble bites in …

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Lara S. Williams

Something took form (Alison Murray)

  in Narbonne   I listened to a cat scratch of claws   on a tiled roof,   a storm, the cathedral bells.       The death of Rimbaud …

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Alison Murray

The Decline (Lee Sandwith)

  ‘For death begins with life’s first breath. And life begins at touch of death.’ John Oxenham                      

Lee Sandwith

THE TRANSITIONS OF JOSEPHINE ROWE: an interview

ALEC PATRIC Every writer has a muse, whether we put much thought into it or not. When we start out and are struggling to find our creative sources, we run …

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Josephine Rowe

Before the power went out (Josephine Rowe)

Before the power went out I saw a girl dressed in a black jacket and plaid skirt, cawing like a corvidae, like a warning except she wasn’t circling: she was …

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Josephine Rowe

At the Park (Karen Andrews)

  At the park siblings fall, parading their love to the throng they crash in limbs and kisses to the bottom of the playground slide.   Aged matrons pass by, …

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Karen Andrews

Reply to a Letter (Wayne Macauley)

  You asked me about Witton, I’ll tell you as much as I know. I’ve had him on my books now for a little over five years though the act …

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Alison MurrayReply to a LetterWayne Macauley

THE POSSIBILITIES OF WAYNE MACAULEY: an interview by Alec Patric

ALEC PATRIC I picked up your new collection, Other Stories, published recently by Black Pepper. In a word, superb. ‘Reply to a Letter’ might just be the great Australian novel …

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Alec PatricWayne Macauley

The Chinese Lesson (Ryan O’Neill)

In the park, the old women were walking backwards.  Watt waited beneath the enormous statue of a twenty metre rifle grasped in a clenched stone fist. It was as if …

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Ryan O'Neill
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