We welcome submissions of previously unpublished poetry, fiction, non-fiction, essays and interviews by D/deaf and disabled creatives from anywhere in the world.
Send us brave, provocative, humorous and influential pieces that disrupt normative definitions of us, and resist mainstream expectations and approval. Send us work that enriches and extends our cultural landscapes, perspectives that go to the core of what it means to be human.
We are guided by a social model of disability that states we are disabled by society, that the barriers we face are created by external socio-cultural attitudes, structures and physical environment. We believe the problem is not an individual’s inability to walk but the lack of lifts, step-free access and money for good assistive devices. This way of thinking opposes the medical model which situates our impairment, health condition or difference as the barrier.
We are seeking critically engaged and nuanced work that speaks to D/deaf and disabled communities, as well as to wider audiences. We want work that explores the compounding structural nature of disablism as it intersects with the social injustice experienced by First Nations People, queer and working-class communities, people of colour, migrants, asylum-seekers and women. We love art that engages with the radical politics of liberation; art that contributes to dismantling the structures that oppress us.
While it is very difficult to be accessible to all people at all times, we take access very seriously. Artists may submit their work as text, signed video, and audio. If work is accepted for publication, we encourage artists to assist us with access by providing audio readings of their text, text versions of their audio or signed videos, etc.
We seek to showcase a wide spectrum of disabled writers and artists — including those who live with chronic pain, fatigue, or illness. The circumstances that lead to disability are dynamic and fluid at the edges — encompassing different bodyminds, different impairments, and different health conditions. We want no body left behind. Nothing about us without us.
For examples of work we publish in /dɪsˈrʌpt/, visit our Vault.
Submissions are accepted during the months of March and September.
Submit 1 longer piece (fiction/nonfiction/essay/interview) or a max of 3 poems via Submittable.
Project Editors: Gaele Sobott & Amanda Tink
Gaele Sobott has published a range of acclaimed works including, Colour Me Blue and My Longest Round. She identifies as a disabled artist and was selected for the first cohort of the Australia Council for the Arts 2014 Sync Leadership Program. In 2015 she was artist in residence at Google Australia. Gaele is the founding director of Outlandish Arts. She produced NoRMAL, a performance of stories by four artists on their experiences of disability, the Australian tour of Caroline Bowditch’s, Falling in Love with Frida, the Australia-UK creative development of Deaf Australian playwright Sofya Gollan’s play, MotherLode, in London, and Fools’ Gold, a series of poetry performances, workshops and critical discussion events involving artists who experience psychological and emotional distress. Gaele was commissioned to write Zaphora and Ali for Urban Theatre Projects’ Home Country staged by Sydney Festival 2017. She participated in the DADAA and Perth International Arts Festival Aesthetics of Access residency in March 2017 with Jenny Sealey MBE, Artistic Director of Graeae Theatre Company UK. She was also selected to take part in the two-week Jo Bannon Penetration and Performance residency in Adelaide in August 2017. Gaele facilitated the Access2Arts Embody project for disabled writers and is currently leading the Writing Me project. She has just completed a collection of short stories about life in an apartment building in Lakemba, Sydney, where she resides.
Amanda Tink is a writer, and researcher of Australian disability literature at Western Sydney University. She lives in front of her laptop and braille display with good coffee nearby, and tweets at @amandatink.