ABOUT VERITY LA

Leipzig, DHfK, Gymnastik

Established in 2010 Verity La is an on-line, no-way-for-profit, creative arts journal, publishing short fiction and poetry, cultural comment, photomedia, reviews, and interviews. As it says on the mast-head, bravery is essential in the Verity La neck of the woods, which means creative risk-taking, freedom, and – above all else – being no one but yourself. We are interested in new voices, different voices, minority voices, progressive voices; we like writing that gets you in the head as well as the gut, that has a point, that isn’t afraid.  Whether it’s fiction, poetry, comment or review, we want high-quality text, and by ‘high-quality’ we mean thoughtfully composed, a focus on words, words with impact. We exist beyond the borders of traditional literary journals – we’re interested in danger, the barely legal.

Verity La are a volunteer-run journal. However, due to the generosity of our beloved private supporters (aka our readers) we can pay contributors $50 for pieces published during 2017. As for 2018? We’ve been awarded an Australia Council for the Arts grant – woohoo! – and can pay all writers and artists published in the journal $100 for their work. Our fifteen editors will continue on in a voluntary capacity, but we’re working on changing that too. If you’d like to help us out, get in touch!

In the Verity La universe, publication days are Tuesdays and Fridays. But sometimes we mix it up a little.

We’ll be reading submissions in 2018 during the months of February, May and August. Send ’em in!

Why ‘Verity La’?


It’s an abbreviation of ‘Verity Lane’, a very dodgy back-alley in Canberra, Australia’s national capital, where the journal was born. (These days we operate from a network of laptops all over the country – don’t tell ASIO.) More importantly, however, the name now given to the lane also commemorates the birth there, in 1938, of Verity Hewitt’s, Canberra’s first serious bookshop. In that pre-electronic age, this bookshop and its owner encouraged the distribution and intelligent discussion of literature in the otherwise bleak cultural environment of 1930s Canberra, perhaps comparable in some ways to the use today of online journals. From a wider perspective, Verity was a remarkable example of a mid-twentieth-century woman, independent, brave, and with a deep and creative interest in literature and people. In fact, she was such a special lady, a book has been written about Verity and some of her letters have also been published! Verity’s family has informed us that she would have been sympathetic with our aims and pleased with our work.  Hope Verity Fitzhardinge (1908-1986): we honour you; you are our patron saint.

 

The current Verity La line-up:

 

Do stay in touch:

Subscribe to us via our Home page. Follow us on Facebook and Twitter. Dance a jig. You know you want to. If there’s something you want to tell us, something you want to share, or you just feel like saying ‘Hi there, how are you?’ then drop us a line via editor@verityla.com.

 

Official library info:

The National Library of Australia archives Verity La in the National Bibliographic Database as part of the PANDORA Archive, which ensures that all the material published here is safeguarded against changes in hardware and software, and that all the contributions made to this journal are protected in perpetuity.  ISSN 2200-6969.

A small selection of work is also archived at Deakin Research Online, Deakin University, Melbourne, Australia.

The journal is comprehensively listed on the AustLit database.

 

What they’re sayin’:

‘Increasingly influential’ The Sydney Morning Herald

‘Verity La puts the umlaut in über-cool…Verily.’  PS Cottier

‘Is Verity La part of the critical literary ‘mainstream’? Probably not, but it continues to push boundaries and ask questions.’  The Rochford Street Review

‘An online Australian literary journal that has evolved from interesting to absolutely indispensable in the space of about six months. In terms of quality, depth, intelligence, and respectful aesthetic engagement, the Verity La interviews are the closest thing we have right now in Australia to The Paris Review interview archives.’ — Daniel Davis Wood, University of Melbourne

How am I meant to live? Not even that shitty e-rag Verity La is going to save me.’  an Australian creative young person

Verity La is the future of Australian online publishing.’ — Paul Hetherington

 

Other Stuff:

National Library Of Australia Certificatecritics circle

On 27 November 2012
Verity La received a Canberra Critics Circle Award. Tops.

SPN logo fro VL

Verity La is a proud member of the Small Press Network

Massive, massive thanks to New Best Friend:
our graphic designers, web developers, site maintainers,
purveyors of fine tea and cat soup,
and all-round top folk.

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We acknowledge the Traditional Custodians of the lands on which we work and live. We pay our respects to the Elders past, present and future, and extend that respect to all Aboriginal and Torres Strait Islander Peoples.