If you’re thinking birds, trees and butterflies, take a seat.
Join Anne Elvey and Phillip Hall as they pick their way through defining ecopoetry (vs ‘nature poetry’), looking at the work of the praise poem and the lament, and wondering what it all means for the work poets do away from the page.
To get deeper into the discussion check out Harriet Tarlo’s editorial for the latest edition of Plumwood Mountain, Robin Cadwallader’s review of John Kinsella’s The Vision of Error: A Sextet of Activist Poems, and grab yourself a copy of Bonny Cassidy’s Final Theory (Giramondo, 2014).
Missed our earlier episodes? Listen here!
Anne Elvey is managing editor of Plumwood Mountain: An Australian Journal of Ecopoetry and Ecopoetics. Her recent publications include: Kin (2014), shortlisted for the Kenneth Slessor Poetry Prize, and This flesh that you know (2015), international winner of the Overleaf Chapbook Manuscript Award. White on White is forthcoming from Cordite Books in 2018. Anne holds honorary appointments at University of Divinity and Monash University.
Phillip Hall is a poet, reviewer and essayist working as an editor with Verity La’s Emerging Indigenous Writers Project and as a poetry reader at Overland. From 2011 to 2015 he lived in the Gulf of Carpentaria where he ran sport and camp programs designed to re-engage and foster emotional resilience, cooperative group learning and safe decision-making. In 2014 he published Sweetened in Coals. In 2015 he published Diwurruwurru, a book of his collaborations with the Borroloola Poetry Club. He is currently working on a collection of place-based poetry called Fume. This project celebrates First Australians in the Northern Territory’s Gulf of Carpentaria. Phillip now lives in Melbourne’s Sunshine (western suburbs) where he is a very passionate member of the Western Bulldogs Football Club.
Alice Allan’s poetry has been published in previous issues of Verity La as well as in Cordite, Rabbit and Australian Book Review. She is the creator and convenor of the Verity La Poetry Podcast and produces her own weekly podcast, Poetry Says.
A scale catches the light. A gold coin
and a gold fish flash in the moat
of a university house. I am torn by this
writing whiteness, the attempt to read
myself otherwise, an urge to get out
of the way. The page is neither clean
nor blank. A seedpod falls from an imported
elm. The wind takes dry pennies
for a spin. Urban peak hour. The place
is all we have for now. The page
is asphalt, gravel, dirt. The line
is red and grey and, broken it signifies
corrugations of intent, a currency too far —
of people and fish and seasonal water.
Anne Elvey is managing editor of Plumwood Mountain journal. She holds honorary appointments at Monash University and University of Divinity. Her publications include Kin (Five Islands, 2014) and This Flesh that You Know (Leaf Press, 2015). White on White is forthcoming from Cordite Books in 2017.