_______________________________________________________ John Chavers enjoys working as a writer, artist, photographer, and general creator. Most recently, his writing and artwork have been accepted at The Kurt Vonnegut Memorial Library So It …
THE RISE OF JIHADISTS & THE BLOGGERS OF BANGLADESH (Kallol Majumdar)
(Edited by Ramon Loyola and Michele Seminara) Certain concepts of religion are for human welfare, but religious extremism is always devastating for humanity. Therefore, in the interests of humanity, we …
Growth Always Growth (Fabrice Poussin)
Fabrice Poussin teaches French and English. Author of novels and poetry, his work has appeared in Kestrel, Symposium, Eskimo Pie, The Chimes and will appear in other magazines throughout 2016. …
VEGAS* JUNKY (Brent Cantwell)
sometimes I wish we could pick the drizzle and make peace with the relics of Vegas; one old guy tiptoes arpeggios my way muttering almost immediately: shoul’ be makin’ tracks …
At Arms’ Length (Ceinwen Hall)
Artist’s Statement: Though Hall treats her subject with apparent frankness through her realistic style and the use of photographs on which she bases her paintings, the images retain a considerable …
Head Space (Jim Tsinganos)
Jim Tsinganos was born in Peterborough, South Australia in 1964. He received a Bachelor of Design specialising in illustration from the Underdale campus of the South Australian College of Arts …
Into the Woods (Rebecca Stringer)
Rebecca Stringer is an academic and erstwhile photographer and lives on the Otago Penninsula in Dunedin, New Zealand, with her partner and son. Rebecca lectures in Gender Studies at …
Summer Noir (Carmel Byrne)
Images from ‘Census‘, an exhibition of Instagram photographs from around Sydney’s Inner West, showing at Scratch Art Space, 11 – 24 December, 2014. Carmel Byrne is an Artist based in Sydney, Australia. …
A white, extravagant quiet (Leigh Backhouse)
Leigh Backhouse is a photographer and can be contacted on Twitter.
REVEALING BRILLIANCE: an interview with Jo Case
ALEC PATRIC If we love a film we want to know more about it. We stay for the credits if we’re struck by the way it was shot, the locations …